When Eduardo's chance encounter with a stranger develops into a passionate romance, a toxic cycle of control and violence begins to engulf his world. Fighting his past and what it is to be a man.
Overall, I think the non-linear story is effective. It definitely feels like an essential part of how you tell the story. There's definitely a lot of emotion in the story, and the toxic relationship mixed with the non-linear story adds a dynamic all on its own. The fights between Eduardo and Delilah get a big repetitive and redundant at times, but I feel like maybe you can consolidate these in a way, with more memorable fights during key moments,...
A depressed young man sends himself back in time in order to avoid the consequences of a violent crime, only to find himself pursued by a vengeful corrupt cop.
From the back seat of police cruiser, a father sees his daughter taken out of the back of his car by, Ed, a man he knows from her school. The father must decide if she is better off with him or in the "system" like him. Ed must learn that raising a child isn't about finding personal redemption.
Three stories take place after a crime goes wrong. A waitress must decide what to do with the jewels she found on a crime scene. A group of mobsters struggle to find the person who stole their goods. And a young couple finds themselves hunted by an unexpected enemy.
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