When Eduardo's chance encounter with a stranger develops into a passionate romance, a toxic cycle of control and violence begins to engulf his world. Fighting his past and what it is to be a man.
Overall, I think the non-linear story is effective. It definitely feels like an essential part of how you tell the story. There's definitely a lot of emotion in the story, and the toxic relationship mixed with the non-linear story adds a dynamic all on its own. The fights between Eduardo and Delilah get a big repetitive and redundant at times, but I feel like maybe you can consolidate these in a way, with more memorable fights during key moments,...
An ex-con tattoo artist is hired to ink seductive beauties, but when the newly illustrated models turn up dead, he must solve the mystery, clear his name, and evade a corrupt cop on his tail.
In 1958, a small town sharp-shooter becomes the third in a trio of female robbers, led by a violent, unpredictable psychopath, to pursue a foreseeable fortune along their road trip of crime and destruction.
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