When Eduardo's chance encounter with a stranger develops into a passionate romance, a toxic cycle of control and violence begins to engulf his world. Fighting his past and what it is to be a man.
Overall, I think the non-linear story is effective. It definitely feels like an essential part of how you tell the story. There's definitely a lot of emotion in the story, and the toxic relationship mixed with the non-linear story adds a dynamic all on its own. The fights between Eduardo and Delilah get a big repetitive and redundant at times, but I feel like maybe you can consolidate these in a way, with more memorable fights during key moments,...
A sixteen-year-old sharpshooter, swallowed whole by a myth he never corrected, crosses an ocean to be nobody — and arrives in Palermo to find his own description already nailed to a wall.
After a shocking discovery of her brother, a young female detective must find means to bring the killer to book or he clutches his hands on the next victim.
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