When Eduardo's chance encounter with a stranger develops into a passionate romance, a toxic cycle of control and violence begins to engulf his world. Fighting his past and what it is to be a man.
Overall, I think the non-linear story is effective. It definitely feels like an essential part of how you tell the story. There's definitely a lot of emotion in the story, and the toxic relationship mixed with the non-linear story adds a dynamic all on its own. The fights between Eduardo and Delilah get a big repetitive and redundant at times, but I feel like maybe you can consolidate these in a way, with more memorable fights during key moments,...
From the back seat of police cruiser, a father sees his daughter taken out of the back of his car by, Ed, a man he knows from her school. The father must decide if she is better off with him or in the "system" like him. Ed must learn that raising a child isn't about finding personal redemption.
Trying his best to not get swallowed up by the streets of Southside Jamaica, Queens, Trey maneuvers through the standard baby momma drama, systemic racism and socio-economic disenfranchisement that his hood brings, but little does he know that this is the last day of his life.
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