When Eduardo's chance encounter with a stranger develops into a passionate romance, a toxic cycle of control and violence begins to engulf his world. Fighting his past and what it is to be a man.
Overall, I think the non-linear story is effective. It definitely feels like an essential part of how you tell the story. There's definitely a lot of emotion in the story, and the toxic relationship mixed with the non-linear story adds a dynamic all on its own. The fights between Eduardo and Delilah get a big repetitive and redundant at times, but I feel like maybe you can consolidate these in a way, with more memorable fights during key moments,...
In a dying steel town where football is the only way out, a violent high-school star fixes games to fund an escape with his pregnant girlfriend, only to discover that the gamblers, his jealous best friend, and his broken father all believe he already belongs to them.
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