A group of high school teens are targeted by a killer obsessed with music and must figure out a way to survive and take the killer down before he picks them all off.
Contains strong brutal horror violence, disturbing content, language throughout, sexual references and brief drug material.
I was torn on one aspect. There were several themes that didn't feel realistic. For example, no one ever reached out to the police, the police never found the deteriorating body in the snare drum, our antagonist felt superhuman for the first 60% (I thought you were giving him almost mystical or supernatural powers like Jason or Freddie), and everyone automatically assumed that the killer was magically cured once he was subdued. On the other hand,...
I like the lead antogonist right off the bat. Their words cut sharply and seem harmonious for a real effort at a believable and great character design. However, this focus on him seems to be the only thing sublimely in sync.
The lead antognist is easy to imagine.
However, they and even those in the intro need to be introduced even if they aren't around for long. As it gives me a sense of how to interpret the person's writing. This is import...
When a high level black excutive is hired racism ensues. After he is falsly charged with embezlment he turns the tables on the company. He uncovers almost 18 million dollars in funds stolen funds from the nations police departments.
Based on the true story in 1931 of a navy wife who claimed she was raped by a gang of Hawaiians, leading to one of them being kidnapped and murdered in a scheme hatched by the girl's mother. Clarence Darrow defended the family in Hawaii's Crime of the Century.
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